What's the Motive? – Page 2 – Dark Rooms and Large Screens

Spies in Disguise: celebrating cinema’s 6 most iconic masters of espionage

December 18, 2019January 9, 2020 What's the Motive?

https://www.cineworld.co.uk/blog/spies-in-disguise-6-most-iconic-masters-of-espionage

Gremlins at 35 — the timely return of Joe Dante’s controversial creatures

December 5, 2019January 9, 2020 What's the Motive?

https://www.flickeringmyth.com/2019/12/gremlins-at-35-the-timely-return-of-joe-dantes-controversial-creatures/

Movie Review – Jonathan Agassi Saved My Life (2018)

November 26, 2019January 9, 2020 What's the Motive?

https://www.flickeringmyth.com/2019/11/movie-review-jonathan-agassi-saved-my-life-2018/

REVIEW: Blue Story (2019)

November 21, 2019 What's the Motive?

https://www.flickeringmyth.com/2019/11/movie-review-blue-story-2019/

REVIEW: Midway (2019)

November 11, 2019January 29, 2020 What's the Motive?

Roland Emmerich's WWII film is loud, proud but overwhelmingly hollow.

Le Mans ’66 (2019)

November 8, 2019November 16, 2019 What's the Motive?

Bale and Damon impress in James Mangold's stylish 60s racing flick.

BFI London Film Festival 2019: REVIEWS

November 3, 2019 What's the Motive?

Film Reviews from the 63rd BFI London Film Festival.

Honey Boy (2019)

October 20, 2019October 29, 2019 What's the Motive?

Cinematic catharsis for Shia LaBeouf makes for a moving, egoless depiction of trauma.

REVIEW: The Lighthouse (2019)

October 19, 2019January 30, 2020 What's the Motive?

Robert Eggers' highly-anticipated follow-up to The Witch is a haunting, briny maritime yarn that will unsettle as much as it will befuddle.

The Irishman (2019)

October 17, 2019October 17, 2019 What's the Motive?

Scorsese's Netflix-backed gangster opus is a sumptuously shot, sublimely acted crime odyssey.