Roland Emmerich's WWII film is loud, proud but overwhelmingly hollow.
Le Mans ’66 (2019)
Bale and Damon impress in James Mangold's stylish 60s racing flick.
BFI London Film Festival 2019: REVIEWS
Film Reviews from the 63rd BFI London Film Festival.
Honey Boy (2019)
Cinematic catharsis for Shia LaBeouf makes for a moving, egoless depiction of trauma.
REVIEW: The Lighthouse (2019)
Robert Eggers' highly-anticipated follow-up to The Witch is a haunting, briny maritime yarn that will unsettle as much as it will befuddle.
The Irishman (2019)
Scorsese's Netflix-backed gangster opus is a sumptuously shot, sublimely acted crime odyssey.
El Camino: A Breaking Bad Movie (2019)
Jesse Pinkman returns to give Breaking Bad fans closure.
The Lighthouse: 5 reasons to get excited for Robert Eggers’s terrifying new film
Ready or Not: hide and seek and 5 other games that have been given a sinister cinematic twist
Cut it out — how the explicit, incessant violence in Rambo: Last Blood is the film’s true villain
John, you used to be fun...
